Making Sense of the World
"There is a desperation in all certainty. The category of political uncertainty, philosophical uncertainty, uncertainty of images is much closer to how the world is," says South African artist William Kentridge in this video presenting his work.
William Kentridge talks about the origin of his animated films with drawing in front of the camera. "I was interested in seeing how a drawing would come into being". "It was from the charcoal drawing that the process of animation expanded". With charcoal "you can change a drawing as quickly as you can think". "I am interested in showing the process of thinking. The way that one constructs a film out of these fragments that one reinterprets retrospectively - and changes the time of - is my sense of how we make sense of the world. And so the animated films can be a demonstration of how we make sense of the world rather than an instruction about what the world means."
"Uncertainty is an essential category". "I learned much more from the theatre school in Paris, Jacques Lecoq, a school of movement and mime, than I ever did from the art lessons. It is about understanding the way of thinking through the body. Making art is a practical activity. It is not sitting at a computer. It is embodying an idea in a physical material, paper, charcoal, steal, wood." William Kentridge will work on a piece not knowing if it will come out as a dead end or a piece of art, giving it the benefit of the doubt, not judging it in advance, he says. "I am interested in the politics of certainty and the demagoguery of certainty and the fragility of making sense of the world", William Kentridge states.
Lecture, Animation, Drawing, Opera, Film